Summary
Agha Mohamad Khan is a historical mistake. A kingdom that has committed many human tragedies. A king whose voice was a denial of masculinity and whose women called him a eunuch. A king who was a descendant of Mohamad Hassan Qajar and was captured in war as a teenager, and the cast of Adel Shah, a king who considered himself a Qajar king as a child and chose Tehran as his capital. Agha Mohamad Khan is a historical abstraction. An excuse to understand the interpretable dimensions of his psyche.